For collectors
Collecting the work
What to know before acquiring a digital work from the iZoot archive — how it is produced, how to display it, and how authenticity is documented.
These works are born digital. That is a strength for a collector: the master file is resolution-rich, colour-managed and stable, so a piece can be produced at intimate scale or across a wall without redrawing it. What you are acquiring is a specific, finished composition — and the right to have it produced and displayed as agreed.
Editions and originals
Pieces may be offered as open works, as numbered limited editions, or as a single work reserved to one collector. The terms for any given piece are confirmed in writing at the time of acquisition, including the size, substrate and whether further editions may be produced.
Printing, framing and display
For archival results, work is best produced with pigment inks on acid-free fine art paper or a comparable archival substrate. Frame with UV-filtering glazing and acid-free mounts, and hang out of direct sunlight. Because these compositions carry deep colour and fine texture, they reward generous scale and even, indirect lighting.
Care
Keep pigment prints in stable conditions — moderate temperature, moderate humidity, no direct sun. Handle unframed prints by the edges with clean, dry hands or cotton gloves, and store flat and interleaved rather than rolled for long periods.
Provenance and authenticity
Works acquired directly from the studio are documented with the title, series, year and production details, and where applicable a signed certificate of authenticity. Keep that documentation with the work: it is the provenance record for any future sale, appraisal or insurance valuation.
Buying directly from the artist
Acquisitions are handled personally, which means you can ask about a specific piece, an alternative size, or a pairing across series. Inquiries reach the studio directly at ira@idigits.com.